
PS : question subsidiaire, quel autre musique pourrait s'approcher de ce piano virevoltant ?
merci
le kempff de ton illustration ? si oui c'est sa deuxième integrale en mono...comment et le son ?love_leeloo a écrit :bon après écoutes y a pas photo, Kempff est loin devant, pour mes oreilles![]()
affaire classée
merci Fred
Et c'est vraiment ce qui m'a impressionné par rapport aux autres, cette spontanéité, ce rythme ...To celebrate the centenary last November of the birth of Wilhelm Kempff, DG offer in the Dokumente series this fascinating collection of mono recordings, most of them long unavailable and some from the age of 78rpm. With Kempff, the most inspirational of Beethoven pianists, pride of place must go to the earlier of his two sonata cycles, the one in mono. The format itself is attractive, with the eight CDs plus the bonus disc packaged in a compact box (the disc sleeves are paper), the same style that DG have chosen to adopt for Fischer-Dieskau’s Lieder collections. Those who have cherished the 1965 DG stereo cycle (3/91) for its magical spontaneity, will find Kempff’s qualities even more intensely conveyed in this mono set, recorded between 1951 and 1956. Amazingly the sound has more body and warmth than the stereo, with Kempff’s unmatched transparency and clarity of articulation even more vividly caught, both in sparklingAllegros and in deeply dedicated slow movements. If in places he is even more personal, some might say wilful, regularly surprising you with a new revelation, the magnetism is even more intense, as in the great Adagioof the Hammerklavier or the final variations of Op. 111, at once more rapt and more impulsive, flowing more freely.
Ca, ça fait vraiment plaisir à lire!love_leeloo a écrit :pour une fois je peux dire oui, y a d'incroyables différences entre plusieurs interprétations.
chose que j'avais du mal à imaginer.